Location:  Home » Books » Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)    

Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)

Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)Author: Steve Katz
Publisher: Michael Wiese
Category: Book

List Price: $27.95
Buy Used: $8.93
as of 9/4/2010 15:24 CDT details
You Save: $19.02 (68%)

In Stock


New (61) Used (85) Collectible (2) from $8.93

Seller: evbooksllc
Rating: 4.0 out of 5 stars 44 reviews
Sales Rank: 4,147

Media: Paperback
Pages: 366
Number Of Items: 1
Shipping Weight (lbs): 1.8
Dimensions (in): 10.7 x 7 x 1.1

ISBN: 0941188108
Dewey Decimal Number: 791.430233
EAN: 9780941188104
ASIN: 0941188108

Publication Date: August 14, 1991
Availability: Usually ships in 1-2 business days

Features:
  • ISBN13: 9780941188104
  • Condition: New
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Also Available In:

  • Hardcover - Film Directing Shot by Shot: Visualizing from Concept to Screen

Similar Items:


Editorial Reviews:

Amazon.com Review
Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.

Product Description
A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the movies
since 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storyboard form.






Customer Reviews:
Showing reviews 1-5 of 44
1 2 3 4 5 6 ...9Next »



5 out of 5 stars For someone trying to break in, this is the book for them.   July 1, 1999
brent08@hotmail.com (Columbus,OH)
45 out of 50 found this review helpful

When I entered college to recieve a bachelor's degree, I wasn't quite sure what I wanted to do. I ended up choosing a degree in acting, but have since wondered if that was the wrong choice. In the last year of college, I became interested in film direction, but felt it was to late to pursue that career. Mr. Katz's book has changed my mind. In less than one week, I learned more about the technique of film direction than I ever learned in numerous film, and television classes. This book was easy to read, yet not easy in subject matter. It challenges the reader to visualize the subject matter, and to work out common problems in his/her head. It uses an extensive study of soryboarding from both classic and fictional films to easily illustrate his technique. Although Mr Katz uses a pretty set theory of film mechanics, he does challenge the reader to experiment and to create new and exciting art. This book is a must for beginners in the film industry, and I have a hunch that advanced artists could learn a lot from it too.


5 out of 5 stars Steven D. Katz positions the Filmmaker as Graphic Designer.   August 28, 1997
kshaw@utopia.com (Boston, MA USA)
36 out of 40 found this review helpful

Film Directing Shot by Shot is a step back from the filmmaker's lens. This book is a praise of preplanning shots and putting them together in the filmmaker's head. Steven D. Katz has presented a great resource not laden with hard technical terminology limited to the professional. Katz explores the graphic design of a shot, presenting alternate examples of shot layout side by side. The author encourages seeing shots on the storyboard and how they play together, seeing the movie as static pictures before any film is spent. As he explains: "look at each sequence as a complete statement. Developing an intuitive sense of the overall perceptual effect of a sequence is one of the skills necessary for visualization." (pp 160) He offers traditional process but encourages experimental methods where appropriate. I was pointed toward the book as an art professional interested in filmmaking. Having read other film preproduction books this has been the best so far.


5 out of 5 stars ...fantastic   August 27, 2002
Jamie Innes (Christchurch, Canterbury New Zealand)
25 out of 29 found this review helpful

I wish I had this book when I was in 6th form. If I had, the last 5 years of my life could have been very different. Unfortunately, I only got hold of this book 6 months ago, and quickly read it cover to cover.

I'm not going towrite an in depth review, but I will tell you the 2 most important things that this book deals with...

1) Shot composition/storyboards
2) Blocking

It tells you everything they don't have time for when you take media studies in your senior high school years. It quickly gets past the basic information about shot types etc, and then takes you WAY BEYOND into a far more in depth and professional level, the kind of stuff you pay tens of thousands for in a film school.

The book is that...good.

If you only ever buy 1 book on filmmaking/directing, this is the one to get. I'm not kidding.


5 out of 5 stars THE book on STORYBOARDING, really the only BOOK, and great.   August 12, 2000
GDC (Los Angeles, CA, US)
23 out of 27 found this review helpful

I wish I had this book before storyboarding on my first feature film years ago. While teaching storyboarding classes in Savannah and Toronto I searched online and was always dissapointed with the few and poorly written books available for Storyboarding until I found this one. Its awsome! It covers all topics of storyboarding and other relative areas in filmaking to help the storyboarder understand film terms, filmic language, and what their place is in production.


5 out of 5 stars The title says it all   March 5, 2004
13 out of 15 found this review helpful

If you're expecting, that you will learn how to direct actors or get dramatic an unique performances with this book you're wrong, this book it's about visualizing, how to move the camera, why, continuity styles, storyboarding, etc,

It is an excellent tool for the film & videomaker, you can use it for quick reference, if you're shooting a conversation, it explains, how you can do it without breaking the axis..

If you're starting to study film, let Steven Katz, be your teacher, and make your first shorts knowing how to doing them right

Showing reviews 1-5 of 44
1 2 3 4 5 6 ...9Next »



Copyright © 2009 Direction & Production
cinematography  directing  director  film  filmmaking